TL;DR: There are no rules in writing, I am free to write whatever the heck I want, in whatever genre I want, however I want. The only thing to worry about is: 'is the writing good'. Otherwise, it's whatever I want.
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I cannot believe it took me this long to get it but... I finally understand what historical fiction is.
It’s fiction… set in a historical time. ‘Pirates of the Caribbean’, ‘Last of the Mohicans’, ‘Shakespeare in Love’ are all historical fiction to a degree, and none of the writers (unless you’re Ridley Scott screaming, ‘Were you there!? Then how do you know it didn’t happen!?’) claim that the events depicted are 100% true to documented history.
They fit in what I would categorize as:
Fantastical historical fiction (Pirates of the Caribbean, Abe Lincoln: Vampire Hunter)
Grounded historical fiction (Last of the Mohicans)
Dramatized historical fiction (Shakespeare in Love) that focuses more on the emotions of the characters, not the overall historical events though it can blend into the grounded historical fiction level
It’s all about the ‘vibes’. Does it make the readers feel like they’re being transported backward to that time period?
Like yes, you operate under what’s known historical fact, but live in the ‘unknown’ as it were if… that makes sense? Like ‘Shakespeare In Love’. It ran on the question of, ‘What if Shakespeare had a romantic fling during his career’ and built a story out of it.
In other words, if I wanted to write a book titled 'Louis Braille in Love' (in the same vein as 'Shakespeare in Love') about his early adulthood as a teacher, and a romance that blossoms between him and a new teacher, mingling in the conflict he faced in his time as a teacher against the conservative elite of his school... Yeah. Yeah, I could write that. I mean, Rosie Sultan wrote 'Helen Keller in Love', so what's stopping me?
The only hard rules I'd need to create is, well, figuring out the key figures of his life, what sort of man he was, people who supported his braille system, others who opposed it and tried to crush it, the general location of the institute he taught/lived in, etc. But beyond that... anything goes.
Like in one camp, you have Dufau, the Institute Director of the 1840s who basically made it his life mission to obstruct Louis' system and isolate him, even going as far as banning braille from being taught. In the other (Louis') camp, you'd have people who supported him, fought for him. I'd have to look into Louis' biography and see what his life was like, the era he grew up in, etc. All that cannot change. It's historical, it's who he was.
I feel so liberated now. Like...Holy shit...I could actually write 'Louis Braille in Love' and there'd literally be no one to stop me from doing that. No00..0 different than 'Shakespeare in Love'.
*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*
I cannot believe it took me this long to get it but... I finally understand what historical fiction is.
It’s fiction… set in a historical time. ‘Pirates of the Caribbean’, ‘Last of the Mohicans’, ‘Shakespeare in Love’ are all historical fiction to a degree, and none of the writers (unless you’re Ridley Scott screaming, ‘Were you there!? Then how do you know it didn’t happen!?’) claim that the events depicted are 100% true to documented history.
They fit in what I would categorize as:
Fantastical historical fiction (Pirates of the Caribbean, Abe Lincoln: Vampire Hunter)
Grounded historical fiction (Last of the Mohicans)
Dramatized historical fiction (Shakespeare in Love) that focuses more on the emotions of the characters, not the overall historical events though it can blend into the grounded historical fiction level
It’s all about the ‘vibes’. Does it make the readers feel like they’re being transported backward to that time period?
Like yes, you operate under what’s known historical fact, but live in the ‘unknown’ as it were if… that makes sense? Like ‘Shakespeare In Love’. It ran on the question of, ‘What if Shakespeare had a romantic fling during his career’ and built a story out of it.
In other words, if I wanted to write a book titled 'Louis Braille in Love' (in the same vein as 'Shakespeare in Love') about his early adulthood as a teacher, and a romance that blossoms between him and a new teacher, mingling in the conflict he faced in his time as a teacher against the conservative elite of his school... Yeah. Yeah, I could write that. I mean, Rosie Sultan wrote 'Helen Keller in Love', so what's stopping me?
The only hard rules I'd need to create is, well, figuring out the key figures of his life, what sort of man he was, people who supported his braille system, others who opposed it and tried to crush it, the general location of the institute he taught/lived in, etc. But beyond that... anything goes.
Like in one camp, you have Dufau, the Institute Director of the 1840s who basically made it his life mission to obstruct Louis' system and isolate him, even going as far as banning braille from being taught. In the other (Louis') camp, you'd have people who supported him, fought for him. I'd have to look into Louis' biography and see what his life was like, the era he grew up in, etc. All that cannot change. It's historical, it's who he was.
I feel so liberated now. Like...Holy shit...I could actually write 'Louis Braille in Love' and there'd literally be no one to stop me from doing that. No00..0 different than 'Shakespeare in Love'.