Several scholars have surely published a systematic review of story endings, but just as surely it's more interesting to make our own catalog.
I'll begin with two or three.
The Decision Point.
For instance, a stepmother realizes ("The Good Son") her stepson is evil. They're in some kind of natural emergency. She realizes she can get away with not saving the stepson. Does she or doesn't she — we never find out. THE END
The Ultimate Irony.
O. Henry's Gift of the Magi. (Man sells watch to buy combs for his wife; wife sells her hair to buy a fob for the man's watch)
The Moment the Character Realizes.
The Moment the Reader Realizes What the Character Does Not
The Moment of Profound Acceptance.
The Moment of Resolving to Change.
The Moment of Unrecognized Sacrifice for Another.
The Moment a Needed Change Does Not Happen.
I'll begin with two or three.
The Decision Point.
For instance, a stepmother realizes ("The Good Son") her stepson is evil. They're in some kind of natural emergency. She realizes she can get away with not saving the stepson. Does she or doesn't she — we never find out. THE END
The Ultimate Irony.
O. Henry's Gift of the Magi. (Man sells watch to buy combs for his wife; wife sells her hair to buy a fob for the man's watch)
The Moment the Character Realizes.
The Moment the Reader Realizes What the Character Does Not
The Moment of Profound Acceptance.
The Moment of Resolving to Change.
The Moment of Unrecognized Sacrifice for Another.
The Moment a Needed Change Does Not Happen.