Choosing what to do for my protagonist in this intense, sci-fi, fantasy thriller with some horror elements

Novicewriter34

New Member
Hello everyone,

I’m new here to the forums. I’ve been struggling for a long time trying to decide which path is best for my protagonist and I can’t seem to figure out which would be more intriguing.

Path #1; the protagonist grew up as a child having social anxieties and slight strange behavior. When he was sent to summer camp between the ages of 5-10 he was always mistreated by staff and the youth director, but he never told anyone what was happening, let alone his parents, due to his quiet nature until they finally found out and pulled him out of there.

He ends up going through the same problems through elementary and middle school with bullies and mistreatment. His parents don’t understand why, as his siblings seem to go untouched. He is then enrolled and sent away into a prestigious martial academy that specializes in academics and self defense where he is sent from age 13 up until his senior year of high school. Once graduated, he’s back with his parents and siblings, only he lacks the motivation to succeed in anything in his life and has remained physically very short, where everyone, else around him, including his siblings, tower over him.

Over the next course of years, he takes college courses, takes on odd jobs, supermarket, janitor, caregiver, etc and joined self improvement facilities such as gyms, yoga studios, martial arts, churches, etc, where he’s either been harassed by big tough bullies, who ere much taller than him, even beaten and pushed around, ridiculed and treated badly for his height and poor social skills. He even tries social events and gatherings, even temps to social with his siblings(who don’t favor him very much) and their friends at parties but ends in failures. His social awkwardness around others, his short stature and eventually stocky weight gain just lead to a more dissatisfied life. The same experiences happened with dating apps and love interests as he faced constant rejection, who mostly were taller than him. He was also rapidly aging due to other factors

It turns out he’s been used as a sleeper agent by the school the whole time and by his main handler from the prestigious school that brainwashed him and has been using him all along, as well as responsible for his stunted height and social awkwardness. Even places he went to in the civilian world had survives and connections to his sleeper program and the school’s connections. They still kept him in society to activate him when necessary. Despite his short stature and stocky weight, he was still useful to do the dirty work for them without him knowing and his handler wanted to keep him weak in the civilian life to control him easier. Even when he moved in his own apartment, he’s being monitored the whole time.

He eventually ends up in a bunch of tragic events, his parents fall ill and even the loss of his pet hound, while always feeling watched now, ends up in group home, then homeless and arrested, tortured but then suddenly rescued by someone rogue who finds him near death and is taken for a secret project with his limbs lengthened and augmented body parts. Then he wakes up taller in a new body but has to deal with escaping once he’s discovered by the handler’s forces and now prepares for a new war and discovers a stunted height resistance group, that knows the pain he endured in the past.



Path #2; similar as the first one, only he was sent to the prestigious school when he was young(maybe even at age 10 or younger), but he is somehow left for dead while on a mission by his handler at the school but is found and eventually found and raised as a mercenary. He might of lost part of his memory and doesn’t really remember much about the school. His family is supposedly, mysteriously killed during this entire time.

He eventually becomes an assassin and is hired to go on a mission but after refusing to kill his target after discovering it’s someone he knew or doesn’t want to kill, his employers then go after him for a failed mission. He’s then tortured by them, almost at death but is found and rescued. He is then augmented which saves his life and then is discovered by the school and his handler’s forces that he’s been alive this whole time and they want the protagonist dead, which he escapes fighting against the handlers forces as a freedom fighter.the protagonist has basically lived his life as a soldier in constant combat, in a now dystopian society. He’s been self aware but just didn’t remember his past from the school until he learns more after his post augmentation and his growth was never stunted in this version.


Which path has better potential? Path 1 or path 2?

Thank you. Any advice is helpful.
 
Last edited:
A stunted height resistance group sounds challenging to play straight. Not saying it can't be done, but at face value it comes across as slightly absurd. If it's written such that most of the protagonist's clearly severe life problems are indeed directly attributed to his height, it will be hard for part-Italian people like myself to suspend disbelief.

As for the potential of each, it depends on what type of story you actually want to tell. The former has more room for whatever social commentary you're looking to get across about height and being a general pariah, while the latter seems like more of a diving board straight into fantasy escapism, rediscovering identity.

Try writing 5k words of each and see which you're more inclined towards. Perhaps it will end up being a mix of both. You might be surprised how one avenue completely falls apart while the other turns into something different yet no less compelling, leaving you wondering why it ever seemed like a choice in the first place.
 
That's a lot of back story, and you'll have to decide if it is relevant to your story. Do you want to focus on the character, or do you want to focus on his experiences as an adult? If it is adult experiences that make up the story, then it may be best to reveal his character in those situations.

How old is he when the story begins?
 
That's a lot of back story, and you'll have to decide if it is relevant to your story. Do you want to focus on the character, or do you want to focus on his experiences as an adult? If it is adult experiences that make up the story, then it may be best to reveal his character in those situations.

How old is he when the story begins?
I wanted to start him as an adult. Maybe somewhere half point in his mundane broken life and stunted growth when he had already put on some weight and went from his two last failed jobs.

Sorry, I’m not very good at writing this. I know my ideas are bad.
 
Last edited:
Do whichever one you personally like better. It's not about which one will be more interesting for the reader - it's down to how well you execute it as to whether it will be interesting or not.
 
If it's written such that most of the protagonist's clearly severe life problems are indeed directly attributed to his height, it will be hard for part-Italian people like myself to suspend disbelief.
I’m a bit confused? I’m a 5 foot male here who’s not Italian and I can assure you, It’s quite believable that severe problems do arise from this.
 
Thank you for your input. Are you suggesting that blending both ideas could have better potential?
Not necessarily, just that it is also an avenue. A lot can happen in tens of thousands of words.

In my experience, if the dilemma exists prior to writing, then it can probably only be resolved during acute development (be it writing or high fidelity planning). 'Better' is only going to come clear when you write it.


A stunted height resistance group sounds challenging to play straight. Not saying it can't be done, but at face value it comes across as slightly absurd. If it's written such that most of the protagonist's clearly severe life problems are indeed directly attributed to his height, it will be hard for part-Italian people like myself to suspend disbelief.
I’m a bit confused? I’m a 5 foot male here who’s not Italian and I can assure you, It’s quite believable that severe problems do arise from this.
Okay, sure, I was being flippant and mocking Italian height a bit, but I can address that more earnestly. For one, N number of 'severe' issues can arise from anything. No one disagrees there.

My disbelief stems from 'most' or 'all' issues, the implication that low height is a pervading negative trait to the point it's effectively destroying someone's life and any attempts at character growth in what seems to be illustrated in at least Plot A there of the protagonist. Contrast with something like poverty, which is much more generally agreed to be a possibly insurmountable life obstacle.

Someone else who is, or knows of another 5' tall (I'm assuming protag height) man will think: "Yeah it sucks, but I/he still got on with life and certainly isn't a perpetually abused punching bag of every single person I/he encounters. In fact, I/he developed quite a bit of character in spite of that one challenge." Or the reader could even imagine the vast amount of celebrities who are quite a bit below average height. Was that measurement their greatest challenge?

I'm not saying you can't put it in a story. All the power to you, and anything can be done well. If height, which is still within non-dwarf ranges, is hyper-fixated and the only barrier to character growth, I personally would be inclined to think the story sarcastic or satirical.
 
Okay, sure, I was being flippant and mocking Italian height a bit, but I can address that more earnestly. For one, N number of 'severe' issues can arise from anything. No one disagrees there.

My disbelief stems from 'most' or 'all' issues, the implication that low height is a pervading negative trait to the point it's effectively destroying someone's life and any attempts at character growth in what seems to be illustrated in at least Plot A there of the protagonist. Contrast with something like poverty, which is much more generally agreed to be a possibly insurmountable life obstacle.

Someone else who is, or knows of another 5' tall (I'm assuming protag height) man will think: "Yeah it sucks, but I/he still got on with life and certainly isn't a perpetually abused punching bag of every single person I/he encounters. In fact, I/he developed quite a bit of character in spite of that one challenge." Or the reader could even imagine the vast amount of celebrities who are quite a bit below average height. Was that measurement their greatest challenge?

I'm not saying you can't put it in a story. All the power to you, and anything can be done well. If height, which is still within non-dwarf ranges, is hyper-fixated and the only barrier to character growth, I personally would be inclined to think the story sarcastic or satirical.
Thanks for the feedback. I appreciate the discussion. I agree that a 'stunted height resistance group' could risk seeming odd if taken at face value, but the core idea isn’t just about height discrimination in a vacuum. It’s about systemic bodily control, a covert program (think MKUltra meets dystopian eugenics) that deliberately engineered the protagonist’s suffering, with his height being one visible symptom of a larger violation.

That said, your point about balance is fair. I’ll make sure the world includes other short characters who *aren’t* broken by their stature, highlighting that his trauma comes from *targeted* abuse, not just his body. The resistance works best as victims fighting the system that altered them, not just protesting their height. In the protagonist’s case, he’s actually above 5 feet(though still very short) and begins to shrink under 4’8” and more so, due to the prolonged mutation in his system placed by the antagonist years ago, while performing experiments on him.

And for the record, heightism *is* a documented social bias (studies show shorter men face measurable disadvantages in careers, dating, etc.), but I’ll ensure the story avoids reducing his struggles to just that. The sci-fi horror angle should help ground it.

Appreciate the push to refine this. I’ll keep working to make the themes resonate without tipping into unintended absurdity.
 
I read though some of this and I think the backstory is kind of a trauma congaline. (Trauma Conga Line - TV Tropes)

Which isn't bad, but needs to be done right. Because on its own, in my opinion, would become monotonous and boring after a while. I have characters with sad backstories and an honest congaline of trauma, but I space it out and make sure everything has a reason to happen. I say this to you as I might say it to my younger self, pick your favorite traumatic events and toss out the rest. That way, you still hit your favorite moments and the reader doesn't feel like it's a never-ending bad day.

Because I have learned with trauma and angst in a story, it should be written like a rollercoaster. Moments of highs, where the character has a small victory or hope. Then, you send that car downward until you hit the bottom of the wave. Then, bring it back up to give the reader hope the character's situation will improve.

A book should be an emotional rollercoaster, basically. Unicorns and rainbows are boring if that's all that's in a story. But so is dark, gloom, nothing good ever happens. To me, it's about changing the reader's emotions as they read.

So, to recap:

This backstory could work. But pick your top 3 favorite traumatic events and then string them together so the emotions of the story go from bad to good to bad again, etc.
 
Back
Top