What are you reading?

Lol. I wasn't expecting a book report. I was more looking for overall vibe I guess. It tends to be a fairly polarizing read.

Tbh, the enduring thing that struck me at the time was how, like I mentioned in above post, The Road and BM had similar lush visuals and rhythms to the journeys. I find The Road seems to not be nearly as revered as BM though if I read his general fandom right.
 
Tbh, the enduring thing that struck me at the time was how, like I mentioned in above post, The Road and BM had similar lush visuals and rhythms to the journeys.
See though, most people don't use phrases like "lush visuals and rhythms" when they talk about it. They say it's dark and depressing and can't see past it. I like your version.
 
Metro 2033 by Dmitry Glukhovsky
I loved how hostile and weird the metro was.

I'm currently reading The Gone World by Tom Sweterlitsch. Navy explores new space and forward time travel, but discovers a time where the world ends. What's more concerning is the end of the world keeps moving backwards in time. It's otherwise gritty crime fiction, though. Not an unwelcome juxtaposition.
 
Doing research, so am back with Laurence Klauber's Rattlesnakes. Fiction: Catherine Gaskin, A Falcon for a Queen, circa 1972.
 
I'm trying to read "A Twisted Tale: Nobody gets Left Behind" (a lilo and stitch dark AU), buuut since I have high myopia (-16) it's a bit of a struggle
 
Finished The Gone World. I thought I had the twist figured out, but I was a bit off. Good story in all, and some surprisingly good prose-nuggets.

I've started The Stars Are Legion. I don't know. It seems edgy with its meat ships and.... sigh, amnesia, but I'll give it time. Another space horror where men no longer exist. Apparently biopunk.
 
Just finished The Postman Always Rings Twice

I read this last year. I never understood why Cain picked that title, but it's a classic roman noir (and I enjoyed both Hammett and Chandler, so I thought I'd give Cain a try).

I have to say that Frank Chambers is a frustrating character. He is audacious, selfish, and has no ambition, foresight, or self-control. He's an aimless drifter, not exactly villainous but wafts into villainous behavior because he has no goals. He lacks a moral compass that would prevent him from hurting other people. He's interesting because of his flaws.

Cora Smith/Papadakis has been called 'sleazy' by some, but I prefer to think of her in terms of her ambition, desperation, and melancholy. Her unhappiness in her loveless marriage is palpable. This isn't Nick's (her husband's) fault; he's a nice guy, not too bright, but he loves his wife, likes Frank and has small dreams for his diner.

On their own Frank and Cora aren’t saints, but neither is malicious. Frank’s a petty crook and womanizer, but nothing worse. Cora is smoldering frustration in a dress, but she’s resigned to the life she chose. Together they have a chemistry, a connection with each other. But Nick is in their way, so they have to get rid of him. They plan the perfect crime. But of course nothing is perfect in noir.

This is as much a psychological novel as a noir one. Are Frank and Cora in love, or just in lust? Nick loves Cora and counts Frank as a friend, so how can Frank and Cora trust each other, given that they each know the other is perfectly capable of killing someone who wanted nothing but good for them?

That’s perhaps the most noir thing about Postman. It's a black hole of a novel where weak people do terrible things because none of them have the strength to resist their situation. This is a novel of an ugly crime carried out by small people. It’s brilliant, and if you have any interest in the noir genre, you owe it to yourself to read it.
 
Tbh, the enduring thing that struck me at the time was how, like I mentioned in above post, The Road and BM had similar lush visuals and rhythms to the journeys. I find The Road seems to not be nearly as revered as BM though if I read his general fandom right.

I find myself thinking more about Blood Meridian more, but it's been quite a while since I read The Road, and I read Blood Meridian last year. I will say in terms of digestibility, I will always recommend The Road first. Or No Country for Old Men because McCarthy does have rhythm to his writing and prose, it just takes a bit of lilting along with his characters to get there. The Road seems a bit more accessible, and offers the same kind of raw humanity to it that his stuff usually gives. I have a confused appreciation of McCarthy, haha.

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Currently reading three books, two I mentioned prior to this that I'm still working on. I added We Weren't Looking To Be Found by Stephanie Kuehn. It's a young adult book and I'm not necessarily upset by that, because a lot of the best books I've encountered have been YA. I've had this on my TBR since 2024, and I keep drifting to it. It's also on my book bingo board for the year, so I figured I'd add it to the pile of books I'm reading.
 
I find myself thinking more about Blood Meridian more, but it's been quite a while since I read The Road, and I read Blood Meridian last year. I will say in terms of digestibility, I will always recommend The Road first. Or No Country for Old Men because McCarthy does have rhythm to his writing and prose, it just takes a bit of lilting along with his characters to get there. The Road seems a bit more accessible, and offers the same kind of raw humanity to it that his stuff usually gives. I have a confused appreciation of McCarthy, haha.

It's been a bit since I read The Road as well. Main aspect I was pondering was that BM and The Road seem to share similar rhythms in their journeys, however one wishes to parse that. Dabbled in some of his other works though it's been more of a fleeting interest across the last few years.
 
Or No Country for Old Men
Very very different for him. So was The Passenger which came out a few years ago, right before he died.

Speaking of No Country, I stumbled across the movie the other day and wanted to watch it with the book open to see how much of the dialogue is verbatim. I think there are entire sections that run word for word. I couldn't find my copy of the book though.

Don't know if any of you saw the movie The Counselor, which McCarthy wrote. It's not terrific, but there are scenes where you can almost hear the McCarthy prose directing the action. Particularly his short, declarative rat-a-tat-tat voice. There's a scene early in the Road where the Man is fixing a shopping cart wheel and McCarthy described each step over seven or eight sentences. Then in The Counselor movie, there's a scene where a guy is plugging a bullet hole in a truck in a deliberate step by step fashion. You can see the sentences on the screen damn near.
 
Currently re-reading “Humorous Ghost Stories ” compiled by a person named Dorothy Scarborough. Totally fun. I mean, you can't go wrong with Wilde being the opener. There's also a story that bear the same premise like ghostbuster "ghost extinguisher". The only skip story is the one with crappy rendering of patois "dey ain't no ghost".
 
Listening to "The Last Man" written 200 years ago by Mary Wollstonecraft Shelley (author of "Frankenstein").
I enjoy it for the language and vocabulary and description of friendship in sci-fi.
 
Some Joe Abercrombie. Tbh one thing that put me off was over-describing of fight scene. A good chunk of the time, that kind of thing feels uninspired and they're writing it because they have to. And yet I'm left wondering how often that aspect is actually necessary.
 
I am currently reading The Bond That Burns (a library book), but because I have high myopia after chapter 17 I had to stop reading and take a break. xD I am also going to Malaysia next week
 
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