It Began in a Tavern (OOC Thread) (Part 2)

I think it's way better having the whole post. It is awesome and thank you for being so patient while we sorted this whole thing out. I agree. It is going to be a difficult act to follow. Anyway, wonderful job!
 
Hello, is there any way we can get the map that @ps102 created posted to the World and Lore Encyclopedia?

I think @Luxuria has it. But I should also have it. I'll go and retrieve to post it here until it gets put up on the encyclopedia.

The Lore thread in general is quite messy right now but it's okay because the GM will fix it into the format I intended when she finds the time.

Until then, I'll retrieve the map, and of course, anyone is free to ask any questions. I know all the lore from the top of my head.
 
Hey, I am going to be busy tomorrow with real life stuff- so will work on fixing the Encylopedia on Sunday. Sorry it has taken me so long. I will make it look good, I promise.
 
I think it's time for us to revisit the concept of the time fragments and the gear.

Here's what @ps102 posted previously:

The queen wants them (the fragments) — They're necessary to achieve her end goal.

They're fragments of a gear — I'm not sure what the gear is yet. But I know that it was broken up into different fragments by those who feared its power in ancient times. The queen therefore wants more power, but power is far from her only goal.

When removed from their location, the flow of time is disturbed — The reason behind that is unknown right now.

"The Architect" constructed them — This is someone who is repeatedly mentioned in the scriptures, but nobody knows exactly who "The Architect" is. There is speculation but the true identity is a mystery long looked into. The queen has her own ideas.

Those fragments exponentially increase the power of mages — This was established during the experiment logs that Barnabas was reading. It was also established that they have some serious side effects. In fact, the queen has him experimenting on them. She wants Barnabas to figure out how they can be used without the side effects.

Scientific findings — Barnabas has established a correlation between mage power and side effects. The more powerful the mage is, the less side effects they experience. He speculates that someone who is powerful enough won't experience side effects. The queen is the most powerful person in the country. She trains everyday to be even more powerful.

This suggests a mechanical notion of time. But are we looking at this metaphorically, or literally?

Is there actually a time engine?

Was breaking the gear into time fragments a sin against the divine order?

What else do we need to determine?
 
This suggests a mechanical notion of time. But are we looking at this metaphorically, or literally?
I would think both. It should surely be intriguing.

Sometimes, something like this can't be defined concretely. It's the vagueness of the mystery that makes it interesting.

We do need to dig deeper. The gear it self should have thematic importance.

To give an example, I read the first book of Earthsea recently and the core concept and conflict was the mysterious and powerful shadow the main character released into the world. The shadow would go on to haunt him. There was always, day and night, a danger that this shadow would appear out of nowhere in order to possess him.

In the first part where he feared it and ran between islands in an attempt to escape it, he realized that he'd spend his entire life running away, and that's no life to live. So, in the second part, he turned the tables and instead of being chased, he started to do the chasing in order to destroy it and free himself. There is great philosophy and metaphor in this.

But it doesn't stop there. In the third and final part when he faces it, now realizing what this shadow really is—the dark part of himself—he goes head to head and calls its name, therefore, his own name. Using his own name is acceptance of his dark self.

It's a story with coming of age as its major theme. The shadow was used to carry great thematic meaning. You can't run away from the dark parts of yourself. And you can't destroy them either without acknowledging them as yours. That's why the main character had to accept his dark self. That's the only way to better himself.

Everyone interprets a story's message differently but this was my interpretation. Regardless, the reason I gave a mini analysis was to illustrate how fantasy elements can be used to carry the story's main theme.

Some stories aren't interested in philosophies and will simply present themselves as entertainment and nothing more than that. I'd ask which type of story we're wanting to write first. I always write philosophy and metaphor into my stories. I think it adds a lot of value to them.
Is there actually a time engine?
I don't think so. There is much that Yuuna will reveal though.

Was breaking the gear into time fragments a sin against the divine order?
I imagine it was necessary for not just time, but natural balance. The people broke it into pieces and hid them in an arrangement that wouldn't upset that balance. Destroying them entirely would.
 
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