Waaasssuuuppp!!!

Kudos to Moose for his musical "so long" on the old forum, a whimsical adaptation of Danny Boy.

Danny Boy, if you'll bear with me, has a place in my family. I hope I haven't posted this here before.

It was my Dad's favorite melody, from long before my parents met.

Mom was on track to be a concert pianist. She was a third generation student of Franz Liszt.

Her favorite piece, also from before my parents met, was Chopin's Prelude in C# Minor, Opus 45. When she played that Prelude I always heard the same story as far back as I can remember. Somber and moody, family is gathered except for absent members, perhaps at war. Nobody knows their circumstances.

Then comes a ringing phrase electric with joy. All is well and family is reunited. The piece ends on once again mysterious tones, like life ending behind a veil, and family is forced to part again.

The day of my Mom's memorial service I heard her Chopin playing in my mind's ear. At a particularly bad moment I realized that ringing phrase that had lifted my soul for 50 years was a direct musical quotation from Danny Boy, "It's I'll be here in sunshine or in shadow."

My Mom's signature work was an outgrowth of my Dad's favorite melody, each drawn to different interpretations of the same music long before they met. I didn't hear the connection until that day I really needed something to lean on.

Danny Boy was first published about 50 years after Chopin's death, but the musical quotation is nonetheless real. Danny Boy is based on a song called A Young Man's Dream, popular during Chopin's time and containing that same ringing phrase.
 
aside from the Boss of course, and actually maybe Hendrix
*cough*Eddie Van Halen*cough*

If this is a conversation we're going to have, we'll need to set up guidelines. Are we talking best technically, or best musically? If technical, then how far into abstract noise do we go, or do we just not mention Steve Vai? Or jazz.
If musically, then how do we get over the preference part of it? Preference makes Brian May a better guitarist than Wes Montgomery.
This is already snowballing into a mess and so far I'm the only one in the conversation. I propose we don't have it and all just agree that Eddie Van Halen is the best.
 
*cough*Eddie Van Halen*cough*

If this is a conversation we're going to have, we'll need to set up guidelines. Are we talking best technically, or best musically? If technical, then how far into abstract noise do we go, or do we just not mention Steve Vai? Or jazz.
If musically, then how do we get over the preference part of it? Preference makes Brian May a better guitarist than Wes Montgomery.
This is already snowballing into a mess and so far I'm the only one in the conversation. I propose we don't have it and all just agree that Eddie Van Halen is the best.
If you mention Steve Vai for technical ability don't you also have to bring Yngwie Malmsteen into the conversation? (I think I spelled his name right). Seems wrong to leave him out.
 
Nice list ... but I have to take issue with ranking them as "number 1", "number 2" etc. They all played the guitar in different ways.

It's hard to argue that (for instance) Slash's ripping cords on "Sweet child of Mine" is better or worse than George Harrison's tender guitar playing on "While My Guitar Gently Weeps". They're not better or worse ... just different. :)
 
Nice list ... but I have to take issue with ranking them as "number 1", "number 2" etc. They all played the guitar in different ways.

It's hard to argue that (for instance) Slash's ripping cords on "Sweet child of Mine" is better or worse than George Harrison's tender guitar playing on "While My Guitar Gently Weeps". They're not better or worse ... just different. :)
Satriani, Vai, and Slash are so far back it's sad and Malmsteen isn't on it at all (which yeah, the guy is known to be a first class d*uche but still)
 
It's Jimi and Eddie and then a bunch of other dudes. I'd put Satriani ahead of the rest of the virtuosos though. He's a far superior composer and a legendary teacher. He taught Vai and a bunch of others. My highlight of 2024 was seeing G3 in Vegas. Satch, Vai, and Eric Johnson, the latter of whom is probably better than all of them. His mastery of tone is almost Eddie level.
 
Light mode, dark mode. Light mode, dark mode. Light mode? Dark mode? I can't decide!

I tell you what, though. The little workshop piece I did was the first thing I've ever written in dark mode after maybe... 500K words? For decades the white page and blinking black cursor has tormented me. Now the black page and white cursor are my friends!
 
Light mode, dark mode. Light mode, dark mode. Light mode? Dark mode? I can't decide!

I tell you what, though. The little workshop piece I did was the first thing I've ever written in dark mode after maybe... 500K words? For decades the white page and blinking black cursor has tormented me. Now the black page and white cursor are my friends!
I can't get used to dark mode. I try, but it drives me crazy.
 
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