What were your mistakes in self publishing?

Kallisto

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I'm interested in self publication and found myself frustrated with trying to figure out even a start point (other than "u neED tO HaVe A StOry FiRsT" Yes, experienced self published author. I will make super duper extra sure I have a story first. Wow! I was just so excited I nearly forgot to even write one... yes, this was real "advice.")

I think why it's so hard to get a clear answer or template on how to start this process is because that's just a really bad question. What do you mean, "Where do you start?" There are so many places and ways to approach depending on your goals. (Are you just writing for fun? Then your start point is Wattpad. If you're looking for a limited audience, your game plan is going to be different than someone who is all about "go big or go home.")

So my question is, "What were some of your mistakes you don't want others to repeat and why, based on your circumstances, was it a mistake?" That way, I can make different mistakes!
 
Never self-published (or published yet, come to that), so I can't say anything definitive.

But some advice seems to be to have an author page/SM (social media, not the other SM) page before you publish, and start building an audience before you do, so you can do some publicity and build anticipation before you do. I dunno, maybe even set up a Patreon and get some revenue from pre-orders to help fund it. No idea how well that would work.
 
That's a good question. An unproven author wants you to fund a book. Is that a thing?

Sure. People what to fund lots of unproven things. Computer games, boardhames, crackpot inventions, risky operations, why not books? Just depends how good your SM game is. I dunno what fundraising platforms are around these days.
 
Perhaps it's better to add voluntary payment options after you have published a few stories. So folks know what they'll be getting and what they will be funding.

I agree with @Naomasa298 that you should be active on social media and build an audience, perhaps in combination with releasing short stories and details about your projects. Today that's pretty much our only free alternative. If you live in an English speaking community and your works are in English, you could also try to put up stickers or ads on public spaces, if that's allowed or legal.

If you have cash to burn, then you could make ads for pre-orders and such.
 
Perhaps it's better to add voluntary payment options after you have published a few stories. So folks know what they'll be getting and what they will be funding.

I agree with @Naomasa298 that you should be active on social media and build an audience, perhaps in combination with releasing short stories and details about your projects. Today that's pretty much our only free alternative. If you live in an English speaking community and your works are in English, you could also try to put up stickers or ads on public spaces, if that's allowed or legal.

If you have cash to burn, then you could make ads for pre-orders and such.
For sure! It's a little frustrating for those of us who don't want to be in any spot light but it is what it is. I imagine trad publishing expects the same.
 
There's also the old drug seller trick. Give them the beginning of a story for free, then the rest for hard cash. But that may make people upset.

I also heard the tip of creating mailing lists, but for that you may need your own website.

Sorry @Kallisto I haven't published yet, so no idea what might or might not work. But there are people on this forum who have published, who may be able to give more insight.
 
There's also the old drug seller trick. Give them the beginning of a story for free, then the rest for hard cash. But that may make people upset.

I also heard the tip of creating mailing lists, but for that you may need your own website.

Sorry @Kallisto I haven't published yet, so no idea what might or might not work. But there are people on this forum who have published, who may be able to give more insight.
No, your insight is great.
 
I'm not self-published, or published in any way or form.

Basic mistakes in my opinion are titles that are muted enough to not be easily found on Amazon (Amazon's search is incredibly poor given how it prioritizes popularity over relevance) i.e. one word, or a common phrase. I've seen some bad or unprofessional book covers, but I've also seen some great ones lately.

There is also the 'too soon' thing, which is rough. One shouldn't be constantly thinking that their baby isn't ready and therefore never publishing anything, but on the other hand it should be an amazing foot forward if the reader is expected to be a repeat customer.

But why foot and not feet? I'm not confident I can produce something like even a book a year, so my plan is to have a small bibliog before self-publishing: about 5-6 novels, with several free novellas. It will be a much larger upfront cost before the chance of seeing a single cent, though. For me, costs will be cover art (not design; I think I can learn that, plus I have a secret weapon) and probably copy edits.

Of the 5-6 novels, some will have to be a series. I originally only wanted to write standalones because I think they're underrepresented in my genre, but I just can't deny read-through. It's a reality.

Marketing sucks. I will attack it from multiple angles and spend thousands of dollars, but I still expect it to completely fail. The internet is kind of broken compared to a decade ago.

I think the ironic similarity between trade and self publishing is that the latter actually requires more persistence. Self publishing is not a shortcut. The difference is if one wants to spend that time and effort on approval of a publisher vs approval of individual readers. The successful ones still come back to revise books and covers, and don't stop producing. Broadly speaking, one-book-and-done authors weren't going to succeed in trade and won't succeed in self publishing, if you want to call that a mistake.

One could argue that simply not writing romance or [hockey AU] smut itself is a mistake. I won't firmly disagree with that. But in my opinion it's not worth attempting if it's genres I wouldn't want to read.

Lastly, even if one does succeed, it is not passive income. It's just slow income.
 
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I have self-published on Amazon three books in my DCI Lesley Grant Murder Mystery series under a pen name Malcolm Munro over the period 2022-2025. Caveat I write as a hobby. I am not paying the mortgage through my writing - which is just as well!!

My biggest mistake was not to try the trad route for twelve months. I was told publishers will only take submissions from agents (not true) and I did not fancy trying to pitch to an agent. I now regret not at least giving it a try.

I was told there was little chance of anyone reading my books unless I marketed them on social media - again not true. As I am not on social media and I have no intention of being on social media I did not expect many readers. In fact I still get low level sales on all three books. Most readers in KU. First month is best for sales - Amazon gave them all a lift in the first month then sales/KU reads fell off until after six months there were very few sales/reads.

The only marketing I do is five day free promos that Amazon allow every three months. It always results in sales/KU reads after a stagnant period of no sales/reads so that seems to work. I have heard (agent podcast) that the impact of social media marketing for self published books is grossly exaggerated. No idea if that is correct but I reckon she should know.

I have also heard that high level sales/KU reads is dependent on getting at least 20 reviews. Again no idea if that is true but I get very few reviews. Decent ratings but very few reviews.

That’s just been my experience. I would welcome reading others.
 
I self-published for the first time on Sept. 1, and I do have a few ideas of how I could've done much better. But very quickly I'll mention some other things about the self-pub process:

-Don't bother self-publishing the first book you ever write. It's not going to be very good. It's more of a "practice book." You can always go back to it later to revise once you've got the proper skill.

-Try the trad pub route on a book you're confident about. Agents first, at least a hundred. Then, indie presses.

-Things important to trad pub are still relevant to self-pub. Great opening lines, early hook, inciting incident in the first chapter.

-Come up with an original, eye-catching title. No generic ones that have been used over and over in the past. And pay a real artist for a unique, attractive cover.

-Definitely create an author site and keep a blog/journal there.

-Get shorts/flash pieces published in magazines/anthologies, and post about them. Readers are far more likely to buy when you can prove you're already a professional.

-This one's optional but I think it can give you a boost - if it's feasible where you live, create a "business" to publish your book, so you can list a publisher name instead of having it listed as independently published. It was cheap for me to do in Ontario, but I don't know how that works elsewhere.

Okay, now for the things I wish I could go back and redo:

-Establish a presence and following on at least one or two social media platforms. Nobody cares about some random person posting about their book. Few views, fewer engagements. Nobody cares (well, unless you're young and attractive, I guess). Become a part of the platform's writing community, many months (or even years) in advance of a launch. And even if you've done that, you want to get sales from the gen pop, not just your pals and associates. So post about other things, be clever, and you'll drive organic views to your profile page, where those clickers will immediately become aware of your book.

-Get several ARC reviews months before launch. I thought this would make me look like an amateur, but it's routine for indie writers. The number of reviews and ratings are HUGE for potential readers making their decision. I try not to think about how many of the hundreds of clicks I've received didn't result in a sale purely because of my very low number of reviews. It stings. It haunts me.

-Don't price it too high or too low. I fucked up by starting with what I thought were reasonable prices for a professional-quality novel - about $20 CAD for paperback and $8 for ebook. Well, people I know were willing to pay that, but gen pop? Not so much. In December I dropped the prices to $16 and $4 respectively, and have made a couple dozen sales from complete strangers, which is cool.

-It's probably best to keep it exclusive with Amazon so you can take advantage of the Kindle Unlimited program. I also wonder how much I'm missing out of from the clicks when customers want to read using their subscription instead of purchasing a copy. I'm on a bunch of other sites, but I've only sold a handful of copies on them. More than 90% of my sales have come from Amazon thus far.

-I also wish I'd done presales alongside the ARC review process. Try and build some momentum going into launch day. A cover reveal, teasers, that sort of thing.

I think my biggest mistake was boldly assuming that my title and cover would be enough to move the book on its own. Nope! There's a whole lot of other work one needs to do in order to have a successful launch. And now I know, and I'll be much better prepared for next time.
 
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