I honestly agree with this. Why is rape 'off-limits', but I could go full John Wick in a book with no problems? Everyone would LOVE THAT. Hell, we have a murder mystery GENRE! Like, I get that it's different as it's intimate and personal, but that doesn't mean you can't or shouldn't write it.
*And much more*
There's been a lot of response to what I said in various ways, all of which is interesting and made me feel like I should come back to it.
I don't think that people shouldn't write about rape period - no-one ever said I did but worth stating I think. And I don't even think people should even agree with me not wanting to do it.
I do struggle with why. I do also struggle with why it feels difference to violence, to murder to me. So I'll talk about some of what I wrote in this dark comedy. In episode one you have this gang of rapists with one hanger on, hunting down our main character in the post apocalypse. And they say some heinous shit. The implications of what they have done before, their rationale/excuses for it. They're not funny, they are monsters, with one guy who allows it to survive. That's their role in the bit - to be monsters, and then to get their gruesome comeuppance including the dick of one being used as a puppet, and another one blown to bits by aliens (it's a weird story).
The whole story (it was a whole dark comedy series of 4 seasons) is metaphorically and literally about her (main characters) recovery from abuse from her father - who is still alive, and finds her at points throughout the series. About suffering terrible things, walking that barren valley, growing and being able to live a happy life on the other side. About the comedy in terrible things. It was a huge, extremely tricky project, leaning hard on the dark in dark comedy, and sometimes I want to go back to it. My dad
will not stop talking about me going back to it, even when I talk about the literal book I'm working on.
But A, I've moved past it - it was an enormous project, it was hard and I probably wasn't that good at it. And also, (and actually I think this is really important) it was a TV series. Which now thinking about it, changes the dynamic of the question dramatically.
And B, why? What is someone gaining from watching this? It's much more dark than funny, it's subject matter is grim and difficult and the heroes constantly lose. And who is it for? The edgy, dark, depressed me? I'm not really that guy anymore, at least not anything like as much, and if I the author am not into the material, then what's the point?
And this is a key detail. If you're going to include it, why? To make another character want revenge? To show how evil someone is? Well, you can do that with murder. I think violence is, in a sense, a easy go to for solving conflict. Because Dr Evil Bad probably isn't going to be talked down. So the violence is a cathartic solution that we've agreed upon for solving the problem of evil in stories and showing that someone is evil.
So where does rape fit? I think the vast majority of the time it just doesn't. I think to have it in a story it desperately needs a fundamental reason. And I had that in my story, maybe (a story of recovery from a heinous wound). But even then, you need to get it right or maybe you are just getting it so wrong.
I do still love that story, and the characters. I actually wrote the final episode, and loved it, and just writing about it wonders if maybe I'll go back to finish it. But those guys I mentioned above make me feel ill. Just like I don't want to watch Wolf Creek ever again, and just like I don't want to watch something about child abuse, I find the prospect of writing that, and frankly how it might be received, unappetizing to say the least. And frankly it's not that high up the list of projects I want to do.
I do also think it's important that I'm a guy. I kind of wanted a woman to almost co-write it after a while because it was so important to get the main character and her journey right and I lack that perspective, but as a project in my time of trying to write for TV it petered out. I do think it would have been incredibly difficult to get right and I think the crux of the thing is this: it just wasn't worth getting wrong.
I will also note though, that Erikson has written about both in his Malazan books, and while sometimes it's incredibly uncomfortable I don't think he does it badly necessarily. And plenty of other authors too I imagine. But I also imagine he's a better writer than I am.